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DiGiCo SD11

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  • 48 Input Channels
  • 24 Aux / Sub-Group Busses
  • LR/LCR Master Buss
  • 8 x 8 Full Processing Matrix
  • 83 Dynamic Equalizers
  • 48/96kHz Sample Rate

SD11 : Overview

Imagine the firepower of seventh generation FPGA technology at your fingertips in a 19-inch rack mount or table top format small enough to travel in the back seat of a car – that’s the SD11, as remarkable for its full feature set as it is for its diminutive footprint. The SD11 shares the same Stealth Digital Processing and floating point Super FPGA technology as its larger flagship consoles, making it the definitive portable mixer for the new generation of musical creativity.

With its steel chassis and polycarbonate-overlaid aluminium worksurface enveloping the trademark 15-inch TFT LCD touch screen and 12 touch-sensitive moving faders, the SD11 is the very epitome of strength and agility.

Under The Hood

The SD11 is compact whilst providing a high channel count: a full 48 input channels at 48kHz or 96kHz. Standard channel processing across all inputs and outputs includes Channel Delay, Single and Multi-Channel Presets, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, Dual insert points, DiGiCo’s DYN 1 (Compressor, De-esser or Multi-Band Compressor) and DYN 2 (Gate, Compressor or Ducker).

Regardless of how the console is set up, you’ll benefit from the power of 83 Dynamic EQ processors that are assignable to any of the input or output channels, offering dynamic processing on each of the four standard parametric bands, plus 83 Multiband Compressors. Whatever the gig, the SD11 delivers the same high quality signal path and feature set.

The master section incorporates 12 gangable 32-band graphic EQs, six stereo effects (selectable from a palette of 33), and eight control groups (VCAs); using snapshots, you can switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

In addition, 24 busses are assignable as mono/stereo groups or auxiliaries; while an 8×8 output matrix, dual solo busses, and a Master buss provide even deeper configurability.

I/O

The SD11’s I/O capability punches far above its weight: sporting 16 mic/line inputs, eight line outs, two mono AES/EBU, one MADI port, and one dedicated D-Rack port allowing expansion to a further 32 inputs and eight or 16 outputs, as well as a factory fit Optocore option for connectivity to all DiGiCo racks and consoles in a redundant loop.

Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting optional DiGiCo SoundGrid modules linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

The SD11 – the little console with the big heart.

SD11 I/O Racks & Options

SD-Rack
SD-MiNi Rack
SD-Nano Rack
D2-Rack

SD11 Specifications

General Specifications

  • Faders 12 x 100mm touch-sensitive, motorised
  • Screens 1 x 15” (38cm) LCD high – resolution touch screen
  • Meters 12 x 8-segment LED bargraph
  • Input Channels 48
  • Busses 24 + LR or LCR master
  • Solo busses 2 stereo busses
  • Matrix 8 x 8 matrix (additional to busses above)
  • Control Groups 8, selectable for VCA-style, Moving fader, Mute Group
  • Graphic Eq 12 x 32-band, Gain +/- 12dB
  • Internal FX 6
  • Local I/O 16 x mic/line on, 8 Line out, 2x AES/EBU I/O (mono)
  • MADI interface 2 x 75 ohm BNC connectivity
  • D-Rack interface 1 x RJ45 shielded connectivity
  • MIDI interface In / Out / Through
  • VGA port DB-15 mini-female (1024 x 768 resolution)
  • USB ports 3 x USB2
  • Light connection 1 x XLR3 1.2 – 12V
  • Ext Sync Word clock, MADI
  • Headphone TRS unbalanced / 8-600 ohms 1/4 inch Jack
  • GPI 2 x 1/4 inch Jack
  • GPO 2 x 1/4 inch Jack

Physical

  • SD11 Dimensions 483mm/19inch (w) x 577mm/22.7inch (d) x 232mm/9.1inch (h)
  • SD11 Weight 24Kg (53lbs)
  • D-Rack 412mm/16.22inch (w) x 312mm/12.3inch (d) x 179mm/7inch (h)
  • D-Rack Weight 7.4Kg (16lbs)

Audio Specification

  • Sample Rate: 48kHz or 96kHz
  • Processing Delay: 2ms Typical @ 48k (48 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 24-bit Converter Bit Depth
  • Frequency Response: +/- 0.6dB (20Hz – 20kHz)
  • THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
  • Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
  • Residual Output: <90dBu Typical
  • Noise: (20Hz – 20kHz)
  • Microphone Input: Better Than -126dB: Equivalent Noise
  • Maximum Output Level: +22dBu
  • Maximum Input Level: +22dBu

Processing Channel Specification
Input Channel

  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: >1 Sec (Coarse & Fine Control)
  • DiGiTuBe: Drive 0.01 – 50.0
  • Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-Band) Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser: Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: >1 Sec (Coarse & Fine control)
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band Parametric or Dynamic
    : Parametric Only
    (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-band) Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser: Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHz Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to + 10dB
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